By Christina Riggs
From Berlin to Boston, and St Petersburg to Sydney, historical Egyptian paintings fills the galleries of a few of the world's maximum museums, whereas the structure of Egyptian temples and pyramids has attracted travelers to Egypt for hundreds of years. yet what did Egyptian artwork and structure suggest to the folks who first made and used it - and why has it had such a permanent attraction?
In this Very brief Introduction, Christina Riggs explores the visible arts produced in Egypt over a span of a few 4,000 years. The tales in the back of those items and constructions have a lot to inform us approximately how humans in old Egypt lived their lives relating to one another, the usual atmosphere, and the realm of the gods. Demonstrating how historic Egypt has involved Western audiences over the centuries with its amazing pyramids, eerie mummies, and exact visible type, Riggs considers the connection among historic Egypt and the fashionable global.
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Additional info for Ancient Egyptian Art and Architecture: A Very Short Introduction
Year 34, fourth month of summer, day 24, the day of the festival of Ptah, South of his Wall, lord of Saqqara, when he appears at eventide. ' This is a vivid inscription, but it needs a little comment. The pyramid of Teti is also at Saqqara, situated due east of the Step Pyramid, but it postdates it by almost two centuries, conforming to the somewhat mass-produced style favoured for later royal tombs. On the other hand, Ptah, South of his Wall, is one of the Reflections of Osiris • 14 names of the principal god of Memphis.
So make the most of it until I return. Look, I am going to spend the rest of the summer here. The family may have taken the last piece of news with unconcealed relief. The economic state of Egypt as it emerged from the internecine struggles of the Firstlntermediate Period would have been patchy, even desperate in places, but it is unlikely thatHeqanakhte's remarks about cannibalism can be taken literally; he is being ghoulish. However, one member who may have regretted the way things were turning out is the favourite youngest child, Sneferu.
Egypt was, in many ways, a Mediterranean society, and one in which the most powerful official could be reduced to ineffectualness by a remark from his mother. We have noticed this trait even in someone as outspoken as Heqanakhte, and the title 'mistress of the house', which is regularly given to married women who had no other distinction, is likely to mean what it says: there is no male equivalent. Divorce and inheritance laws, as far as we can reconstruct them, gave women generous treatment, in comparison with most ancient societies and many modern ones.
Ancient Egyptian Art and Architecture: A Very Short Introduction by Christina Riggs